bigted

Will was actually a member of the group with Jay-Z interested in buying "The Source" but they were denied... http://www.1.fm/community/showthread.php?t=3793

Like I said before I wouldn't mind if the "Return Of The Magnificent" turned into "Return Of Jazzy Jeff and Fresh Prince" :yeah:

:word: :willvspaparazzi:

Damn I really wish Will could read this thread....

You could pick it up on amazon, I might put in for that soon, Chuck D does the intro it says: http://www.amazon.com/gp/product/156025533...glance&n=283155

That'd be a great idea, they'll be some real hip-hop on the airwaves for a change, he could get Chuck D to do commentary on issues in hip-hop and we'll have Jazzy Jeff do mix shows on there, it'd be the real takeover! :mygod: :bowdown:

Here's some aggressive hip-hop albums I like to bump when I work out: LL Cool J "G.O.A.T." Run-DMC "Raising Hell" Public Enemy "Yo! Bum Rush The Show" NWA "Straight Outta Compton"

:word: If Kel Spencer was a gangsta rapper he'd be doing 50 Cent numbers without a doubt, one Will Smith seems to be enough for the rap industry, they're praying for him to retire so there won't be no more positive rappers out there anymore so that way the game could be filled with just gangsta rappers, that's why it's sad to see "Lost and Found" not do so well 'cause if it sold like 5-6 million it'd open the door for more real mcs to get record deals on major labels...

Will is a hip-hop purist, he appreciates all types of hip-hop, he's sorta upset that there's some out there that think that 50 Cent is the only thing hip-hop and that's what bothers him, it ain't 50's fault, it's Jimmy Iovine's fault, he should sign other type of artists as the president of the label. Will wants people to see the only sides of hip-hop too, if everybody sounds like 50 Cent hip-hop'll get watered down like pop where every girl comes out trying to be the next Britney Spears and that's what labels are only looking for, it's wrong too that legends like KRS and Rakim don't get the right deals on a major label, they don't deserve to be in an independent label, even Boyz II Men are independent, they're extremely talented icons, people need to see and hear them on the scene but the industry has pushed them off and that's what's sad... btw, I love ur avatar Turntable, how fittin', is that a recent picture?

There's like 4 or 5 titles on there I didn't hear of myself, he put a nice list together, I notice he don't put too much current stuff on there either... I liked it when he was on FPOBA playing Jeff's sister, that was classic, lol, he probably bumps JJFP too 'cause he likes a lot of ol' school stuff, him and Will should do a comedic movie together, people'd love it!

Some people might say that too :kekeke: I think the problem with hip-hop doesn't lie with the artists, it's more of a situation where the only artists being promoted are gangsta rappers, there isn't nothing wrong with gangsta rappers, if you talk to them they'll tell you that they're just expressing how they feel about things, Rakim and Will know them better than we do, they know first hand, it might offend some people but if things are bothering them why not just get it out on a song? Hip-hop gives Eminem and 50 Cent opportunities to do something with the talents they have instead of doing the negative things they used to do before they got a deal, whether we say they have talent or not is the individual person's opinion, the problem is though that they're the only ones getting promotion, why can't conscious cats like KRS get proper promotion, why can't females with subject matter like Jean Grae get promotion, and of course why can't feel good cats like Will get promotion? Everything has become one dimensional, if they got the promotion we wouldn't pointing fingers at G-Unit, Nelly, etc. 'cause there was a lot of that stuff out 15 years ago too with NWA, 2 Live Crew, etc. but it was all balanced out so people had choice if they didn't like those artists they could check out Tribe Called Quest, De La Soul, JJFP, etc..., that's what wrong with the rap game right now, record executives deserve blame 'cause they don't sign different types of mcs, you can't have only fruits in your diet, you need some meat, you need bread, that's sorta like what's wrong with hip-hop we have too much fruit, we need to have meat and bread in our diet too! :kekeke: :rofl: Hip-hop would be boring if everybody rapped like Will but it's boring now 'cause everybody's trying to be the next 50 Cent...

Foxy Brown Confirms Her Deafness By: VIBEOnline Staff December 16, 2005 Rapstress Foxy Brown takes the stage to confirm her deafness. In a press conference held in New York's "106 and Park" studio Thursday, December 15th, Foxy Brown confirmed she has been completely deaf for six months, and that she will undergo surgery in January of 2006 in hopes to correct her hearing impairment. Print Email Comment (2) "In May 2005, my life was altered drastically," exclaimed Foxy, born Inga Marchand, who's been communicating solely through reading lips, facial expressions, and notes. "We take for granted the simple words such as 'I love you,' but I appreciate them all." Accompanied by Russell and Kimora Lee Simmons, Doug E. Fresh, Dr. Benjamin Chavis, Reverend Young Blood, and alleged boyfriend, Tyson Beckford, Foxy closed off by stating the first thing she plans to do after her recovery is go back to the studio and finish her album, Black Roses, which she plans to release in 2006. The press conference was closed with a prayer from Reverend Young Blood.

Even hip-hop legends like KRS and Rakim admitted that they felt this track when the album came out, they need to get together with Will and do the remix to it or at least be in the music video, hip-hop needs this, come on Fresh Prince, release it! :word: btw Rakim recently compared Eminem to Muhammad Ali in an interview so Will ain't the only one giving props to somebody ruining the rap game, if 50 and Em ain't ruining hip-hop, who is? :paperbag:

Man he got some great taste, the only thing missing from here is "He's The DJ, I'm The Rapper"!: 25 DIZZIE RASCAL - Boyd in Da Corner (2004) This **** is so ahead of its time, I don't know why they told him to do it slower and make it sound American or whatever they did on his next album. It's hard, man. I'm surprised no American rappers were smart enough to have him produce them. When you hear those beats, you think "OK, if blankety-blank was on this, it would be a hit." That Dizzee Rascal is just ****ing ridiculous. Make this one my last one. 24 DJ QUIK - WAY 2 FONKY (1992) This is such a mindless gangsta-rap record, but some of it is actually very smart. There's a song on there about how different cities are "just like Compton." It's about how this gang **** is spreading all over the country. 23 LAURYN HILL - THE MISEDUCATION OF LAURYN HILL (1998) Lauryn Hill was groundbreaking because for the first time since Salt-N-Pepa the world was hearing a heterosexual woman rap an couldn't believe it. This is a masterpeice of a record. I know there's a lot of singing on there, but there's a lot of rapping, too. People don't have a problem with conscious rap; they have a problem with conscious beats. If you make some ignorant beats, you can say all the smart **** you want. 22 PUBLIC ENEMY - IT TAKES A NATION OF MILLION TO HOLD US BACK (1988) It still holds up. The beats and production are just incredible. Chuck, Flavor, political conscious- ness--we all know why this album's great. I can't say anything that hasn't been said about it. 21 OUTKAST - AQUEMINI (1998) All their records are good, but this one went to the next level. "Liberation" is my favorite. You can hear the Erykah Badu influence on this record. OutKast did a great record while Andre was with Erykah. Common made a great record when he was with Erykah. Before I write any more jokes, I think I'm gonna call Erykah Badu. 20 NAS - STILLMATIC (2001) Do you know what I like about Stillmatic? Jay-Z (who is famously dissed on the song "Ether") should have gotten a co-producer's credit on it, because Nas was definitely floundering just before it. It's like Mama Said Knock You Out eleven years earlier, where a guy just reclaimed his spot with some great records. There's a record on there called "2nd Childhood" about people who won't grow up, that's just so ****ing smart. 19 JAY-Z - REASONABLE DOUBT (1996) I love this CD and I hate it. I love it 'cause it's Jay's best record -- best beats, best flow -- and I hate it 'cause since it came out every rap record is trying to copy it. What Jay-Z did with Rea- sonable Doubt is take the Scarface formula and pretty it up for New York. Reasonable Doubt is his real Blueprint. I still listen to it. 18 SCARFACE - MR. SCARFACE IS BACK (1991) Everything Biggie did, everything 'Pac did, everything Jay-Zdoes was originally done on the first Scarface album. Biggie kills himself at the end of his first record; well, Scarface did it three years earlier. He was the first guy to do his rhymes in the first person about robbing people and drug dealing; he was the first guy to really talk about being depressed and being institutionalized, and how his mama is scared of him. He is the most underrated rapper of all time and absolutely in the top three. You cannot get to four without mentioning Scarface. Any rapper knows that. 17 ICE CUBE - AMERIKKKA'S MOST WANTED (1990) This is the original Best of Both Worlds. You've got the East Coast and the West Coast together. And you've got Ice Cube at his maddest. He was the mack. I remember when Ice Cube played at the Apollo on this tour. Every rapper in town was there. It was like seeing Hendrix or some ****. From 1990 to 1994, Ice Cube was unquestionably the best rapper in the world -- without peer. 16 WYCLEF JEAN - THE CARVINAL (1997) Forget all that you know. Much like Liquid Swords, The Carvinal is the best Fugees record. It's better than The Score. They're all on there -- it's Wyclef Jean, it's Lauryn Hil, it's Pras, it's that John Forte cat who's in jail. And it's all of them at their best. Even the Neville Brothers are on the album. They rap in French; "Gone Till November" is on there; it's insane. Go back and listen to this album, and try to block out all his other records. It's like watching Rocky. If you forget about most of the other Stallone films, you have a masterpiece. 15 GETO BOYS - THE RESURRECTION (1996) The last line of the whole album is "I'm the type of nigga that throws a party when the flag burns/ I'm at the point of no return." When I heard that lyric, I was like, "OK, you got me, man." The whole Resurrection album is Scarface, Willie D, and Bushwick Bill getting politically conscious, but in a Geto Boys way. It's gangsta, and it's an incredible record. It's also (Audioslave/Rage Against The Machine guitarist) Tom Morello's favorite album. 14 GHOSTFACE KILLAH - SUPREME CLIENTELE (2000) This will go down as the last great Wu-Tang album. "Stroke Of Death" is so gangster it makes you wanna stab your baby sitter. There's a record on there that's just a scratch; Ghostface lets the beat play for four seconds, then keeps bringing it back. My other favorite Wu-Tang albumis Ol' Dirty Bastard's Nigga Please. It's so much fun. It's kind of like There's A Riot Goin' On, because he was that high. 13 GENIUS/GZA - LIQUID SWORDS For my money, Liquid Swords is the best Wu-Tang Clan album. It's like the Songs in the Key of Life of rap. It's so ****ing smart and so hard. Everybody's on there, too. You don't really need a Wu-Tang album; Liquid Swords is all you really need to know. As you grow older, you look for records that hold up. And Liquid Swords holds up. 12 ERIC B. AND RAKIM - FOLLOW THE LEADER (1988) If I ever have a son, his middle name will be Rakim. "Lyrics Of Fury" is probablly, lyrically, the best rapping anyone's ever done. The line I love most is on "Follow The Leader": "I can take a phrase that's rarely heard/ Flip it/Now it's a daily word." That's what every writer aspires to. It's the flyest **** I've ever heard. I have that on a wall in my office. The coolest thing about Rakim is that he's the only rapper who really has a mystique. He's still to this day the most mysterious guy in rap. He's not quite Sly Stone, but people wonder. 11 THE D.O.C. - NO ONE CAN DO IT BETTER (1989) Before Dre found Snoop, he had the D.O.C. I was going to school in Brooklyn, and the only time you could see rap videos was on a weekend show with Ralph McDaniels called Video Music Box. D.O.C.'s video for "It's Funky Enough" premiered, and D.O.C. had an L.A. Kings hat on. When I came to school on Monday, half the kids in Brooklyn had L.A. Kings hats on. It was official. The whole album was great, especially the last cut, "The Grand Finale," with the D.O.C. and NWA. 10 DE LA SOUL - BUHLOONES MINDSTATE (1993) The first two De La Soul albums are two of the greatest albums ever, but Buhloone Mindstate is so grown up. It helped shape me as a comedian. It's the last album Prince Paul produced for them and, as far as I'm concerned, he's a member of De La Soul. If you take Prince Paul out, none of the albums hold up. It's also got that great line "**** being heard, Posdnuos is complicated." That's some gangsta ****, because he don't give a ****. 9 A TRIBE CALLED QUEST - THE LOW END THEORY (1991) It's really hard to top this album. They made other good records, but they never got to this level again. It is from beginning to end a masterpiece. Phife has got a weird midget-DMC energy. And as much as I love Q-Tip, nobody's bigger than the group. He and Phife together are just incredible. 8 BEASTIE BOYS - PAUL'S BOUTIQUE (1989) Don't go anywhere without it. It's one of those records that you buy every time you're in a rental car. It's also one of those records that you thought sucked the day you bought it. You were mad because it sounded nothing like Licensed To Ill. Then a month later, you're like, "This is the best **** ever. High Plains Drifter is the best song ever made." 7 EPMD - UNFINISHED BUSINESS (1989) The second EPMD album is as good as two guys can get whose names aren't Run and DMC. The production is insanity. Before Eminem made "Lose Yourself", "Please Listen To My Demo" was the best record about wanting to become a rapper ever made. 6 LL COOL J - MAMA SAID KNOCK YOU OUT (1990) The beauty of LL's Mama Said Knock You Out is that it's like the Secret deodorant: strong enough for a man, but made for a woman. It's hard gangsta ****. But at the same time, I could put the CD on with my mother in the car and drive from New York to Philly. It's also the first comeback in rap. It's the real blueprint: if people think you're done, this is how you come back. It's one of my favorite albums ever. It's LL at his best and Marley Marl at his best. It's LL as Madonna, in the sense of Madonna saying, "Who's the hot producer? Let me get that person." LL was the first rapper smart enough to do that. Now it's what everyone does. 5 PHARCYDE - BIZARRE RIDE II THE PHARCYDE (1992) Only in rap do you get one-album-wonders. The Pharcyde are like the Boston of rap. I don't know what happened afterward, but the first Pharcyde album is incredible. The rhyming is great, the vocals are great, the production is ridiculous. Everything is just way ahead of its time. It's a shame everybody got overtaken by gangsterism. Everyone wants to be hard, so they don't make records like this anymore. It happens to comedians, too. They want to be cool, but just being funny is cool. 4 RUN-DMC - RAISING HELL (1986) Raising Hell is the first great rap album ever. I like Run, but I love DMC. No one ever sounded like DMC; no one ever looks like DMC. He's like a superhero. Raising Hell is probably Rick Rubin's best record. "It's Tricky" is a weird song because it's so gangsta and popat the same time. There's a track on there, "Hit It Run", which is just DMC with Run doing the human beatbox: "I leave allsuckers in the dust/Those dumb mother****ers can't mess with us." It was actually the first time I heard a guy curse on a record. 3 2PAC - RAP PHENOMENON II (MIX TAPE, 2003) You'd have to go to Harlem or a swap meet to get this one. It's done by DJ Green Lantern, DJ Vlad and Dirty Harry. They got tapes of Tupac's vocals and put them over all the newest, baddest beats of the last four years. So you hear Tupac rapping over the "Hate Me Now" beat. It's the best **** in the world. It's ultimate fighting music. You will kill somebody listening to this ****. 2 SNOOP DOGGY DOGG - DOGGYSTYLE (1993) Doggystyle, to me, is better than Dr. Dre's Chronic. It has held up way better because it's a party album, and its lyrics are better. The Chronic is sonically incredible, but it's hard to drive around singing songs about "Eazy-E can eat a big fat dick." But I got a feeling I'll be singing "Gin and Juice" when I'mninety. 1 N.W.A. - STRAIGHT OUTTA COMPTON (1988) N.W.A. is the most influential act of the last thirty years -- bigger than Nirvana, Madonna or the Sex Pistols. Nothing has ever been the same since they came. I remember I was in L.A. when I was a kid, and I brought Straight Outta Compton back to New York. More people were coming over to my house to listen to N.W.A. than were going across the street to the crack house. I had the real ****. It was kind of like the British Invasion for black people.

I checked the tracklisting to Biggie's duets album and I see that 50 Cent and Eminem each do a track with Biggie but there's no LL Cool J or Will Smith! Jazzy Jeff should've produced Pac's last album with Will, Nas, LL, KRS, etc. on there instead of G Unit and D-12, at least Diddy put Nas on the Biggie duet album...

Jay-Z said the week after "Lost and Found" came out that he was listening to a few days nonstop, he must be a fan then! :2thumbs: Nas also commented that it's about time that a rapper of Will's status speaks on the state of hip-hop, KRS and Rakim also said they felt the message of the "Lost and Found" track: http://www.jazzyjefffreshprince.com/forum/...t=0entry51769 btw, do y'all notice the difference between the lyrics of 50 Cent's "How To Rob" and his lyrics now? He actually rapped complete sentences then 'cause of Nas' ghostwriting, it's obvious he wrote it 'cause every famous rapper except Nas and LL was mentioned in there, LL might've had a hand in that too! :kekeke: That'd be funny though if Nas gets everybody who was dissed on that track to all diss 50 Cent on a mixtape and kill his career! :mygod:

Remember that like Will said on the classic "Pump Up The Bass": "Jeff+ Prince= Hit Records", that's the best collab I wanna see, a JJFP album would be huge, lots of older hip-hop heads respect them and want Will to go back with Jeff more often, it'd bring a lot of ol' school hip-hop fans back into interest in hip-hop again, and they could get a lot of new fans too if it gets promoted right, a JJFP album on Def Jam could sell 5 million, mark my word! :bowdown:

I'd like to hear some of the tracks that Will said he produced himself for "Lost and Found"

Jay-Z should've just simply said there that they're two different artists, you can't compare our styles, instead of saying that he's edgier and more reality based, that's not true, Will has an aggressive flow and raps about reality just like Jay-Z does, and could be laid back just like Jay-Z is too, some songs from Jay-Z don't have an edge either just like some songs, he makes chill tracks too, especially songs on "Blueprint" but they're good. They both rhyme about different things that're real to them though which makes them individual artists, there's no question though that Will has influenced Jay, let's get that clear, he should only say nice things about Will. "Volume 2" and "Big Willie Style" are the type of albums that cemented Will's place back in the rap game after he dropped the mic for a while and introduced Jay to the public as a household name respectively, they ain't their best albums but they're albums that impacted the industry and are their most famous albums. I wonder where Jay'd rank Will when it comes to best rappers of the '80s and '90s where he put a top 5 there, he put LL in at the 4th best in the 80s, is Scarface really the top 5 of the '90s? I like him but I didn't know he was that great. For the record I'm gonna say that I enjoy DMX's "The Great Depression" much more than Jay-Z' "Blueprint" album, I think that was the bigger classic album in 2001, that still goes in my CD player on rotation, that's probably his 2nd best album after "It's Dark And Hell Is Hot", "Flesh Of My Flesh, Blood Of My Blood" is also classic in my book, I don't why Kool Moe Dee couldn't put him in his top 50, he definately is I'd say...

People underestimate DMX's place in the rap game, he should be in the same sentence as Nas and Jay-Z, he's had a solid body of work over the last decade with his 5 albums that all went at least platinum too...

Jay-Z' gonna drop DMX from Def Jam? I find that kinda surprising 'cause I thought that him and DMX were tight...

That's funny how Jay-Z thought then that the ones who buy the most albums are the smartest people when later on he admits that he dumbed down to get a larger audience, you're right though if he was dissin' Will in that song like that the media would've blown it up since they're both big name artists...

This article came from April '99 from Vibe, this was around the time "Volume 2" and "Big Willie Style" were out on the chart, it's not as bad as what Bow Wow said but I don't like that he said that his music is more reality based and harder than Will's, especially since he was rapping over a lot of commercial samples at that time too, "Volume 2" was a good album though, I liked that album, lol, it's safe to say that "Just The Two Of Us" is reality for Will just like "Hard Knock Life" is reality for Jay-Z... Dr. Dre and Eminem were mad at Will for criticising rappers who talk about killing on their songs at that time and Jay-Z was working with them around that time so he probably was just backing them up then, he gave "Lost and Found" props I think so there's no beef anymore...: VIBE: Your album's at 3 million. Will Smith's is at 4 million. What dose that tell you about the state of hip-hop? JAY-Z: Will did a great thing for hip-hop. He brought light onto it, exposed people to it who normally wouldn't be listenin.' Some people are gonna love and stick with Will. SOme people are gonna say, "I wanna little more edge to my music." The more educated people are, the more they're gonna look for the cream of the crop. VIBE: Do you mean your own work? JAY-Z: Yeah. VIBE: You would say Will is the cream of the crop? JAY-Z: Me and Will make different music. He's a very creative person. I think mine has more edge and is more reality-based than his.

The rap game is rediculous now with all this ghostwriting s*** but then again Marvin Gaye didn't write many of his lyrics but he had a great voice and was a great performer, hehad a lot of talent to say the least, I think it's ok though if Snoop has help in between since he got a nice flow on the mic but when you have people who have limited artistic abilty for music like Puffy who's an A&R of his label/producer who could dance but he got limited vocal ability, Dr. Dre's an A&R of his label/producer(for what it's worth these days), Kanye's a producer who has a label too, Nick Cannon's a comedian/actor, John Cena is a wrestler, Shaq's a basketball player, Bow Wow's just a kid, hell you even have porno chicks and other type of model chicks making rap albums now, these people have no freestyling abilty or do they have good enough flow to be on the microphone, you could see them as rap sharades, they should stick to however else they make money. LL and Will act but they've been ripping mcs and been stage presences on the microphone for so long so they've been the exception obviously but it's sad to see what the game has come to... Now as far as Sugar Hill Gang, they do have talent, they were discovered freestyling at a pizza place, KRS makes fun of that but hey hip-hop could be anywhere right?

Maybe he was referring to Volume 3 outselling Willenium, but maybe he was sayin' he's "keepin' it real" while Will's selling out, that could be a diss too, he was saying something about how he was more real than Will in that '98 interview that AJ posted... I'm gonna be honest Volume 3 was the album I started not liking Jay-Z that much anymore, that album was weak and straight garbage compared to Willenium but he picked it up with "Blueprint" and "Black Album" even though they're a lil' overrated too in my opinion but they're solid, I can't front... Anyway here's the lyrics to "How To Rob", it's obvious that Nas had input in this, look at all the big words 50 uses compared to now :mygod: : Madd Rapper The art of getting robbed This is how we do Brooklyn style boy you know what I'm sayin? 50 Cent R.I.P B.I.G, R.I.P P-A-C, R.I.P niggas that wanna OD Aiyyo the bottom line is I'ma crook with a deal If my record don't sell I'ma rob and steal You better recognize nigga I'm straight from the street These industry niggaz startin to look like somethin to eat I'll snatch Kim and tell Puff, "You wanna see her again?" Get your ass down to the nearest ATM I have dreams of ****in an R&B bitch And I'll wake up early and bounce with all your **** When I apply pressure,son it aint even funny I'm about to stick Bobby for some of that Whitney money Brian McKnight, I can get that nigga anytime Have Keith sweatin starin down the barrel from my nine Since these Harlem World niggaz seem to all be fam I put the gun to Cardan tell him, "Tell your man Mason Betha, haha, come up of that watch now I mean right now" The only excuse for being broke is bein in jail An entertainer can't make bail if he broke as hell I'd rob ODB but that'd be a waste of time Probably have to clap him run and toss the nine I'd follow Fox in the drop for four blocks Plottin to juice her for that rock Kurupt copped What Jigga just sold like 4 mil? He got somethin to live for Don't want no nigga puttin four thru that Bentley Coupe door I'll man handle Mariah like "Bitch get on the ground" You ain't with Tommy no more who gonna protect you now? I been skeamin on Tone and Poke since they found me Steve know not to wear that platinum **** around me I'm a klepto nah for real son I'm sick I'm bout to stick Slick Rick for all that old school **** Right now I'm bent and when I get like this I don't think About to make Stevie J take off that tight ass mink I'll rob Pun without a gun snatch his piece then run This nigga weigh 400 pounds, how he gon catch me son? Madd Rapper Chorus: repeat 2X This aint serious Being broke can make you delirious So we rob and steal so our ones can be bigger 50 Cent how it feel to rob and industry nigga? 50 Cents Ill catch P and Silk The Shocker right after the Grammies And Will Smith and Jada ass down in Miami Run up on Timberland and Missy w/the pound Like you gimme the cash and u put the hot dog down I figured it out Been robbin Joe before that's why his ass don't wanna be a playa no more Mad at you I'm robbin J.D., **** YOU!! PAY ME!! Had Da Brat with em, shoulda had his gat with him DMX wanna get down well you tell homey I'm on that Treach ****, I do my +Dirt All By My Lonely+ I should rob Clue man his **** did well I wanna stick TQ but his **** ain't sell I hit the studios take **** and leave Catch Rae Ghost and RZA for them funny ass rings Tell Sticky gimme the cash before I empty three Ill beat your ass like that white boy on MTV Cannibus wanna battle while I'm stickin them up Nigga get capped coroners pickin em up Heavy tried to hide his ****, nigga try to stall ya He said "Why you robbin me I got _Nuttin But Love_ for ya!" Caught Juvenile for his Cash Money piece Told him I want it all he said, "Even my gold teeth?" I caught Blackstreet on a back street in a black jeep One at a time get out and take off your shine Did you ever think that you would be this rich? Did you ever think that you would have these hits? Did you ever think that I'd flash the nine? And walk off with your **** like it's mine? I'ma keep stickin niggas until I'm livid I'll rob Boys II Men like I'm Michael Bivins Catch Tyson for half that cash like Robyn Givens I'm hungry for real im bout to stick Mister C That nigga still eatin off Big's first LP I had Busta and the whole Flipmode on the floor He asked me if I had enuff I told him "Gimme Some More" Is you feelin this? Then wait for the sequel I gotta get Kirk Franklin for robbin Gods People Madd Rapper Chorus For real yo you know what I'm sayin? Niggas got to get stuck up that's just how it goes down It don't matter if you an industry nigga or a regular nigga It don't matter, if you got it and I need it I want it 50 Cents ain't ****in around Track Masters ain't ****in around Crazy Cat ain't ****in around The Madd Rapper aint ****in around So watch your backs, watch your pocket book, watch your pockets Watch everybody on the train, watch everybody on the bus Cause we gonna get you whether you like it or not