bigted Posted October 12, 2006 Report Share Posted October 12, 2006 MTV News Exclusive: Nas Previews Hip-Hop Is Dead ... The N 10.10.2006 6:01 AM EDT MC works with Dre, Kanye, Will.I.Am; says he's about to be the 'craziest [artist] on Def Jam.' Nas Photo: Mat Szwajkos/Getty Images Nas said he's less than two weeks from finishing his next LP, Hip-Hop Is Dead ... The N (due on December 19), and he already has a prediction. "All respect to all rappers on Def Jam, I love the label," Nas said. "Without disrespect, "DJs play a big responsibility of what hip-hop is doing. ... At the end of the day, it's up to us to control and to own hip-hop." — Nas Photos, audio and video from this story Nas "Bridging the Gap" Street's Disciple (Sony Urban Music/Columbia) Nas Celebrates His 33rd Birthday I'm about to be the craziest sh-- on Def Jam. But that should go without saying." Nas has a lot to boast about this time around. After his last project, the 2004 double LP Street's Disciple, had a lukewarm reception, the New York legend feels confident he has another classic on his hands. MTV News had a chance to preview some tracks last week — and to dispel some rumors, Nas is not leaving his roots. His LP is very much street, and there aren't really any commercial tracks. Lyrically he still commands the vocal booth. A bulk of his criticism the last few years has been his choice of beat selection. On Hip-Hop Is Dead, he worked with the best, including Dr. Dre, Just Blaze, Kanye West and others. You can hear the excitement in the producers' music — they've given him top-grade material. "It's cool," Nas said Monday about working with Dre on "QB True G," which features a guest appearance from the Game. "I worked on Dre's [1996] Aftermath album when he left Death Row. The second Aftermath album was [intended to be] the Firm album. I think him and [industry mogul] Steve Stoute got into a lot of beef, so the record got hurt when it came out. But that album is still a platinum monster. I know Dre was saying that n---as was bothering him, saying the Firm flopped or he turned pop, but that Firm album was not a flop. That record was a monster. Back then, [interscope Records co-chairman] Jimmy Iovine was ready to send me a jet, trying to get me off of Sony because he was seeing my potential and what I needed to do. "Since then, I hadn't seen [Dre], but I bumped into him in a studio and he said he was ready to do my whole album right there on the spot," Nas continued. "I just knocked out the joint I did with him." The beat has the feel of the dark party track Dre gave 50 Cent for the "Outta Control" remix, but it has a bit more bite. Nas raps on the beat that he and the Game came to "sprinkle a little bit of heaven for your ears." The Game starts his verse by rapping that over a decade ago, he was a kid in a record store and had to decide whether to buy Nas' Illmatic or Dre's The Chronic because he only had money for one purchase. He decided to steal both albums. "Game is a megastar, man," said Nas, who appears on the Game's upcoming The Doctor's Advocate. "That n---a shut down a whole crew by himself. That's big." Kanye West raps on and produced "Still Dreamin'." Nas starts one verse scolding hangers-on who are looking for handouts, and on his second verse, he tells a story of a female newscaster who gets caught up in a drug dealer's lifestyle. " 'Ye is that n---a," Nas told. "His music is right. I wish I could've got more time in with him, actually. He comes through. N---as just be kicking it. Next thing you know, he plays me his sh-- he's working on, I play my sh--, then it comes from there. He'll play me some sh--, and I'll say, 'Let me get that.' " The song "Blunt Ashes," where Nas talks about the missteps and betrayals of R&B legends like Prince, Alexander O'Neal and Bobby Womack, came about from the wordsmith just kicking it in the lab with another one of his friends, Philadelphia 76ers forward Chris Webber. Webber produced the track. "We was in the studio in Kelis' session," Nas said about working with his wife. "We had a room next door, because I didn't want to mess her session up, but I wanted to listen to something. I went in the other room, we was chillin'. One of my mans told Chris to put on one of his [beat] CDs. We was in there freestylin'. I started freestylin' to one joint about sh-- we just be talking about, and I was like, 'This is my sh-- right here. This is my joint.' But Chris is my homie though. One of my closest homies." Another person you wouldn't necessarily picture on a Nas record is Will.I.Am. The multitalented Black Eyed Peas frontman concocted the LP's title track. Where some may expect a real pop sound like on Busta Rhymes' "I Love My Chick," Will went left and very dirty. He actually brought back the same bassline from Iron Butterfly's "In-A-Gadda-Da-Vida," which was also used for Street Disciple's "Thief's Theme." "It felt like the 'Thief's Theme' to me," Nas said. "It was one of the low-key Nas joints that you know about it, but you don't want to look over there. You don't want to deal with that. This [song] reiterated the vibe of 'Thief's Theme' at another level. The title track is Will.I.Am taking pieces of sh-- I did before, pieces of old-school hip-hop, slappin' it all together and letting me do me. That's what it is." Nas throws out a few punch lines on the album, including "If hip-hop is dead, we die together" and "Like my girl Foxy, a n---a went Def." His lyrics are also very tough on radio and DJs. Nas says on the disc that if the impossible happened, if hip-hop did die, DJs would be the first people he'd punish. "Let's be real," he said of the song on which he insists his wedding to Kelis was his second marriage — he married hip-hop first. "DJs play a big responsibility of what hip-hop is doing. ... At the end of the day, it's up to us to control and to own hip-hop. DJs need to challenge us rappers. They got so much power, they need to challenge us. We don't challenge DJs by making enough crazy sh--." Nas also said that the phrase "hip-hop is dead" has a much more important meaning than just music. "When I say 'hip-hop is dead,' basically America is dead," he clarified. "There is no political voice. Music is dead. B2K is not New Edition. Chris Brown is great, I love Chris Brown, we need that, but Bobby Brown sticks in my heart. Our way of thinking is dead, our commerce is dead. Everything in this society has been done. It's like a slingshot, where you throw the mutha----a back and it starts losing speed and is about to fall down. That's where we are as a country. "I don't wanna lose nobody with this, but what I mean by 'hip-hop is dead' is we're at a vulnerable state," he continued. "If we don't change, we gonna disappear like Rome. Let's break it down to a smaller situation. Hip-hop is Rome for the 'hood. I think hip-hop could help rebuild America, once hip-hoppers own hip-hop. ... We are our own politicians, our own government, we have something to say. We're warriors. Soldiers." Snoop Dogg appears on the Scott Storch-produced "Play on Playa." "Unforgettable," which uses a sample of the Nat King Cole song of the same name, has Nas looking back on his life ("Mom's cooking used to wake me up/ Deep/ 'Cause now my wife's cookin' puts me to sleep"). "War" finds the legend going political, lashing out against what he calls unfair media views and "the white man's paper." Damien "Jr. Gong" Marley co-stars on that reggae-flavored track. Nas hasn't yet chosen a first single for Hip-Hop Is Dead, but said he's leaning toward going with a real street record first, like the Game did with "It's Okay (One Blood)." "Every n---a under the age of 28 that raps — except for maybe five of you — needs to shut the f--- up for eight months," he said about what some of his peers should do in preparation for this album. "Get your mind right and learn what the f--- to say. That's gonna be a wakeup call. With all respect due, because they're my comrades." — Shaheem Reid Quote Link to comment Share on other sites More sharing options...
Turntable Posted October 12, 2006 Report Share Posted October 12, 2006 damn,lol Quote Link to comment Share on other sites More sharing options...
bigted Posted October 13, 2006 Author Report Share Posted October 13, 2006 Sounds like quite a bit of interesting collabs on this album, btw I had no idea that Chris Webber's a producer too, that's dope Quote Link to comment Share on other sites More sharing options...
Members derrickbrock14 Posted October 14, 2006 Members Report Share Posted October 14, 2006 one word wow! Quote Link to comment Share on other sites More sharing options...
bigted Posted October 15, 2006 Author Report Share Posted October 15, 2006 I heard on SOHH.com that Nas is trying to get DJ Premiere to produce some tracks for his album right now to make the final deadline I guess and DJ Premiere's also working on Whitney Houston's comeback album and he did great work on Christina Agulira's album this year of course, Premiere really doing his thing this year Quote Link to comment Share on other sites More sharing options...
Turntable Posted October 15, 2006 Report Share Posted October 15, 2006 Got Bobby Brown a Comeback Album coming too? I'm rather looking forward to that. And what about New Edition? They found a new deal by now? Quote Link to comment Share on other sites More sharing options...
mfuqua23 Posted October 15, 2006 Report Share Posted October 15, 2006 How is Nas gonna have another song called "War"? He already had one 'Street's Disciple'. And that was one of my favorites on the whole album. I'm still looking foward to the album nonetheless. Quote Link to comment Share on other sites More sharing options...
dparrott Posted October 27, 2006 Report Share Posted October 27, 2006 I totally agree with his album title. Hip-hop as an artform has been sugar coated and watered down to death by most of these pop rappers out here. Nas is one of the only true rap artists left, although he also uses R&B too much. I can't wait. Quote Link to comment Share on other sites More sharing options...
bigted Posted October 27, 2006 Author Report Share Posted October 27, 2006 I totally agree with his album title. Hip-hop as an artform has been sugar coated and watered down to death by most of these pop rappers out here. Nas is one of the only true rap artists left, although he also uses R&B too much. I can't wait. Real hip-hop's never been about who gets the most sales though, there was always wack stuff playing on the radio, Rakim and Slick Rick never sold 10 million albums, hip-hop still got quality music even though it don't sell, with albums out by mcs like Method Man, Public Enemy, KRS, etc., hip-hop ain't dead Quote Link to comment Share on other sites More sharing options...
ash trey Posted October 27, 2006 Report Share Posted October 27, 2006 (edited) I heard Talib Kweli once say something like "Real New York cats like early Nas,Black Moon etc never sold too many records - we should be used to this by now like the Knicks". Lol. But this could be applied to almost all the best hip hop in the world. Edited October 27, 2006 by ash trey Quote Link to comment Share on other sites More sharing options...
bigted Posted October 27, 2006 Author Report Share Posted October 27, 2006 (edited) Slick Rick, Rakim, PE, Talib, KRS, etc. are like Patrick Ewing, Charles Barkley, Karl Malone, Dominique, etc., they're the best rappers that don't have Grammy's(like those guys who never won NBA titles) while these wack rappers are like benchwarmers on the Lakers that rely on their producers to bail them out(Dr. Dre and JD=Kobe and Shaq), lol Edited October 27, 2006 by bigted Quote Link to comment Share on other sites More sharing options...
dparrott Posted October 27, 2006 Report Share Posted October 27, 2006 I totally agree that sales do not equal quality, and the best rappers don't get grammys...at least not anymore. I guess the real hip-hop has gone underground because the fake hip-hop went mainstream. It's not "dead", just not promoted as much. Quote Link to comment Share on other sites More sharing options...
JumpinJack AJ Posted October 28, 2006 Report Share Posted October 28, 2006 Ever since the mid-90's...big sales have leaned more and more in favor or wack artists. It's taken over a decade for the mainstream face of Hip-Hop/Rap 2 shift of legit multiflava'd Hip-Hop to be replaced by poorly processed commercial garbage. Many of us have been sick of it all along. It seems nearly irreversable at this point but i'm still crossing my fingers. I mean, how long can the recent chart toppers really keep fans musically and intellectually interested in them?!? Quote Link to comment Share on other sites More sharing options...
bigted Posted October 28, 2006 Author Report Share Posted October 28, 2006 Ever since the mid-90's...big sales have leaned more and more in favor or wack artists. It's taken over a decade for the mainstream face of Hip-Hop/Rap 2 shift of legit multiflava'd Hip-Hop to be replaced by poorly processed commercial garbage. Many of us have been sick of it all along. It seems nearly irreversable at this point but i'm still crossing my fingers. I mean, how long can the recent chart toppers really keep fans musically and intellectually interested in them?!? Their music is disposable so they come and go, they won't make it in the industry when they get to FP's age Quote Link to comment Share on other sites More sharing options...
Bob Posted November 1, 2006 Report Share Posted November 1, 2006 i'm in love with the wax he spit on for game's new cd Quote Link to comment Share on other sites More sharing options...
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